SONGS TO MAKE LOVE TO LP
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Categoria: Alternative/Electronic/Downtempo
“No Fun“ (feat Daniel Richards)
“On & On“ (feat Egeeno And Elea)
“Nun Tengo Chiu A Te“ (feat Marica Clemente)
“La Verita“ (feat Toco)
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DOWNBEAT/EXPERIMENTAL VINYL LP
CAT. SCLP529
TRACKLIST:
A1: Just A Child Feat Chiara Castello
A2: Assai Giassai
A3: No Fun Feat Daniel Richards
A4: On And On Feat Egeeno And Elea
A5: Nun Tengo Chiù A Te Feat Maricaclemente
A6: Melancolia
A7: Fior Di Veleno Feat Egeeno
B1: La Verità Feat Toco
B2: Common Questions
B3: Genova Nervi
B4: Stone (My Heart) Feat Chiaracastello
B5: Eclisse
B6: A Song To Make Love To
“Songs to Make Love To” is the 10th studio album by The Dining Rooms (Stefano Ghittoni and Cesare Malfatti), extending the Milanese duo’s classic sound legacy among psychedelic folk, cinematic atmospheres and hip hop-inspired downtempo rhythms. As always divided into instrumental and vocal tracks, it is entirely played and produced by Stefano and Cesare and features guest appearances on vocals by Chiara Castello (I’m Not a Blonde), Egeeno (of the Roman collective Tropicantesimo) and labelmate Tomaz Di Cunto aka Toco. “Songs To Make Love To” talks about love and relationship dynamics in every aspect, but also explores anthropological and ethnomusicological themes by making use of field recordings. “Songs To Make Love To” talks about love and relationship dynamics in every aspect, but also explores anthropological and ethnomusicological themes by making use of field recordings. “Songs To Make Love To”, whose artwork was made with works by artist Tatjana Zonca, talks about love and the explicit act of loving each other, but also and especially about the construction of love, the dynamics of love relationships inside and outside the couple, free and liberated love, without constraints and outside the concept of possession. A further peculiarity that contributes to the uniqueness of “Songs To...” is the in-depth exploration of anthropological and ethnomusicological themes, particularly dear to Alan Lomax: the classic TDR sound therefore blends, especially in the instrumental tracks, with classic field recordings of sounds from the Genoese carruggi, the Milanese dockyard, the Spanish quarters of Naples and cities such as Istanbul and São Paulo.
